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Showing posts with label paranormal romance. Show all posts
Showing posts with label paranormal romance. Show all posts

Wednesday, January 7, 2015

Comfort Reads for the Polar Vortex

After a cold and snowy November and a deceptively mild December, winter has reasserted itself here in the upper Midwest. Today's forecast high was -4 degrees F, and I am pathetically grateful that the actual temperature has climbed two degrees above that.

To add insult to injury, my Amazon pre-order of Miranda Neville's The Duke of Dark Desires and Tessa Dare's Say Yes to the Marquess (which shipped on December 30) has still not arrived -- I fear the delivery vehicle is frozen in a ditch somewhere.

Fortunately, I have stockpiled a sufficient supply of romance novels to help keep me warm this winter. I recently read Suzanne Enoch's Rogue with a Brogue. I bought it over the summer but didn't get to it until after Christmas. I am not generally a fan of Scottish romances, but I usually enjoy Enoch's Regency historicals. I stuck with her latest series because the first book, The Devil Wears Kilts, was about a Scottish laird who came to London for the Season. The Scottish elements were balanced with enough London ballroom catnip for me to enjoy it. The Scottish elements are a bigger part of the plot of the second book, which involves a hero and heroine from rival clans fleeing arranged marriages and falling in love on their way to Scotland. To my surprise, I found myself liking this book even more than the previous one.

That may be because road trip romances are also catnip to me. One of my favorite authors, Cecilia Grant, recently released an e-novella, A Christmas Gone Perfectly Wrong, which was free for a while in December as a gift to her readers. It is a tale of chance-met people traveling together on their way to separate family holiday gatherings who find themselves weathering a series of disasters. Imagine a Regency romance version of Planes, Trains and Automobiles. I found it perfectly delightful.

My all-time favorite road trip romance novel is A Week to Be Wicked by Tessa Dare. Its heroine is a shy bluestocking and its hero a charismatic and mischievous rake with hidden insecurities. Yum.

The Kindle app on my smartphone has been getting more of a workout lately. I prefer to read print books, but some excellent romances are occasionally available at deep discounts (or sometimes only) in digital versions. I discovered Courtney Milan last year. I have been trying to ration myself when it comes to buying her books, both because they tend to be expensive and because I have a long list of other authors I wish to try. When The Duchess War was available for free as an ebook last month, I jumped. The first full-length novel in the Brothers Sinister series did not disappoint. I enjoyed it as much as I did the prequel novella, The Governess Affair. I suspect I'll be purchasing the next few books in the series in the not-too-distant future. I really want to read The Countess Conspiracy, but I always try to read a series in order.

I recently started Sweet Disorder by Rose Lerner because the reviews intrigued me, and the e-book is on sale. I love the research she put into Regency-era Parliamentary elections and voting laws. Historical politicking fascinates me. The one aspect of the book that makes it hard for me to suspend my disbelief is the hero's admiration for Byron, not only his poetry but also his impassioned (but completely ineffective) speech in the House of Lords and his courage in going about with a club foot. In real life, Lord Byron swanned around the peninsula during the war with an officer's uniform that he would occasionally wear when it was to his social advantage to do so, despite having never served in the military. He was a vocal armchair general who delighted in snarky criticism of the British army. The hero of Sweet Disorder is a wounded veteran of the Peninsular War who found his army service to be the most satisfying period of his life. It seems odd to me that he would admire Byron. I am enjoying other aspects of the book, though.

Since I try to limit my screen time each day, I have also been reading Emma Holly's The Demon's Daughter in print. I wanted to explore steampunk paranormal romances, and this one came highly recommended. I am about halfway through it, and I am really enjoying it so far. The world-building is very engaging. The book is quite steamy -- it probably qualifies as erotic romance -- without the emphasis on BDSM (at least thus far) that seems so prevalent in the erotic romance genre. All in all, it is a good choice to raise one's temperature on a bitter cold winter day.

Thursday, June 26, 2014

A Good Introduction to Vampire Romances

I have long resisted reading paranormal romances. While I'm a big fan of Buffy the Vampire Slayer and a lukewarm fan of HBO's True Blood series, I never read the Sookie Stackhouse novels, nor the many other romances featuring non-human heroes. I do not necessarily identify with the heroine in a movie or television series the way I do when I immerse myself in a romance novel. While I do not need to find Buffy's love interests personally attractive in order to enjoy the show, I feel differently about romance novels.  I have never fantasized about being with a vampire or werewolf, so I never understood the appeal of paranormal romances.

I was surprised when I first noticed the shelves filling with paranormal romances, back in the days when Borders was still around (sigh).  I assumed it was a generational thing that I could not quite appreciate, like body piercing and neck tattoos.  I assumed that the appeal of paranormal romance was in being desired for what the heroine is rather than what she does, and I thought it fulfilled a wish to vicariously be inherently special (a slayer, a fay, an especially tasty blood type).

I got a new perspective when I read Beyond Heaving Bosoms: the Smart Bitches' Guide to Romance Novels by Sarah Wendell & Candy Tan. They pointed out that, in a paranormal romance, being fed upon or changed by a vampire/werewolf/shifter serves emotionally as a secondary loss of virginity. It is an experience that the heroine has never had before that will change her life and forever bond her with the hero.

OK, so now I understand another layer of the appeal for many readers. It still doesn't especially appeal to me, but I am trying to broaden by horizons by reading other subgenres and authors. I recently finished reading Lauren Dane's Goddess with a Blade, and I enjoyed it very much.

This particular novel could be classified as urban fantasy as easily as paranormal romance. Although the growing relationship between the heroine (a hunter of rogue vampires) and the "Scion" (the ruler of Las Vegas' vampire community) is important to the plot, it's difficult to say whether it is the central plot element. There are certainly other things going on with the heroine that do not directly involve the hero.

I loved the Las Vegas setting. Clearly, Lauren Dane does as well. When the Cosmopolitan opened a few years ago, during the recession, its bars and restaurants were hugely popular with young club-goers, but the casino was virtually empty. At first, I speculated that they were drawing the pretty young things as an amenity for the older gamblers, but those gamblers never really materialized. Of course, it would make perfect sense if the place was run by vampires who wanted to lure willing young blood donors. Dane's fictional vampire casino-hotel is called Die Mitte (German for "the center"). There are no German-named casinos on the Las Vegas strip, but the Cosmopolitan's original developers defaulted on their construction loan, forcing Deutschebank to foreclose and finish the place in order to recoup some of their investment. The German bank found itself reluctantly in the casino business for a couple of years before they were able to sell the place. I laughed out loud when I saw that Dane gave her vampire casino a German name.

Perhaps I was able to enjoy this book so much because the Scion is really presented more as a CEO/politician than as a vampire. He never feeds on the heroine -- in fact, all of his feeding is done off-stage.  While the sex scenes are steamy and plentiful, they are surprisingly vanilla (and I don't mean that in a bad way).  Rowan and Clive are equal partners, not dom/sub.

I have already put the sequel in my Amazon shopping cart.