|Altar of the Dioscuri|
(Castor and Pollux)
Vase painters and sculptors delighted in portraying idealized human forms. Mythical gods and heroes were often shown naked, or nearly so. My recent trip to Rome revived my love of classical art and architecture. I toured renaissance palazzos filled with classical sculptures and rococo imitations.
Some of the subjects were visually familiar to me. Hercules, for instance, is usually recognizable by the club he carries and the lion skin he wears as a mantle. Others, like the Dioscuri, I knew by name but not iconography. Some were more obscure.
|Funerary altar with winged figures|
representing the four seasons
Seeing all of these sculptures in context, I understand what Antonio Canova was thinking when he created his infamous statue of Napoleon as Mars the Peacemaker. I had a brief London layover on my way home, and I toured Apsley House, the home of the first Duke of Wellington, who eventually received the Canova statue as a gift.